Moral of the story don’t get fucked - 2015 is part of the Intruders collection.
The Intruders research evolved into a serial tergeted practice exploration of the urban context. A continuous strategic study of the territory, non-metropolitan cities, catalouing and research object.
The "INTRUDERS" are precicly the predatotors frozen in an istant immediatly happening befor the action.
It's the evolution of a contemporary research which goes beyond the urban space of the metropoly non places, that fully embraces street art and graffiti world in subtle parallelism a predator subject and pray to its habitat.
The artist outline a free, indipendent, watchful, solitary, but above all, night-watcher, who moved silently fast to reach and conquer his prey. The feline movement are careful, weighted, immediate probably overlapping, with those of the writer. A constant mimic between lights and shadows, between legality and provocation, leaving that silent impression which can scream in the chaos of the city.
In the work "
Moral of the story don't get fucked" and in particulat in the other view 1 we show a photo taken by the artist Walter Molli in the production phase of the work. The cat was made with enamels and acrylics. Considering the big size of the work, Molli used to paint directly on the wall. As evidence of the fact that the background acquired thanks to the graffiti and street art world was part of his expression and his technique.
If such a strickly thematic selection is to be, at the same time, an investigation into the portrayal and deepening of one of the trajectories. Although detalied, the detail is not entrusted to the fingers or the hand but to the wide movements of the arm. it is then the latter having the task of transferringthe graphic intention.
The cat is a predator, instinctive, surgical, rapid, territotrial, is therefore the metaphor of the writer, whose felinity, as said, is indispensable, and explains Indruders' subject and many of the previously mentioned titles.
