The triptych "Meridian Gate (Gold and Purple)" draws inspiration from the Meridian Gate of the Forbidden City in Beijing, combining
the colors gold and purple, symbols of greatness in both Roman and Chinese culture.
This work seeks to explore the theme "Bifronte" of the exhibition, evoking the archetype of the god Janus, symbol of beginnings and
transitions and seeking to reflect on the concept of individuation in Carl Gustav Jung.
The technique of pressing skin to imprint color on canvas, using hands and feet, aims to evoke the inner journey
of man, striving to bear witness to the path towards sought-after maturity in every individual.
The Meridian Gate aims to become a metaphor for passage and transformation, evoking the challenge of personal evolution.
The artwork invites reflection on the journey of individual growth, seeking to highlight how art emerges from life and
transcends it, integrating technical skill and expressive vivacity.
The intent of "Meridian Gate (Gold and Purple)" is to evoke an emotional connection, inviting the viewer to reconsider
their own experiences through the dialogue between art and life.
