Oil painting on wood, preparation of white backgrounds in the arti box. Casein substitute, plus a layer of hot skin glue. Limited choice of very solid colors. Opaque, fixed to light, stable in mixtures, siccative. The binder or medium added to the oil is
Not for sale
ABOUT THE WORK
Metaphorical: deprived of legs, deprived of a part of life. By making a choice of legs, he makes a choice... Read More
Metaphorical: deprived of legs, deprived of a part of life. By making a choice of legs, he makes a choice in the continuity of his life
Serpaggi is above all a painter, draftsman who matures his study for a long time, to give it in the end the aspect of a quickly sketched pochade. The totally mastered drawing regains the momentum, the spontaneous freshness of a first draft. By making the synthesis between an impressionist line which retains ephemeral moments, and futuristic, which breaks down the actions into sequences, he manages to fix snapshots: nightmarish falls, vibrations caused by great fears or swaying flabby and withered flesh.