The WORK IS BASED ON ONE OF THE SEVEN BUDDHIST CHAMBERS IN THE MAIJISHAN GROTTOES. The Buddha figure is rich and dignified, with a kind face, the fresco is beautiful and gorgeous, and the pen is clever, touching my heart. Therefore, I try to use watercolor realistic techniques, and use Chinese philosophical thinking to guide the color allocation, so that the true form of the Buddha statue and the Oriental charm are integrated and symbiontic in the picture.
