All’origine delle mie pitture c’è una ricerca proprio pitturale di ricoprimenti colorati, che suggerisce il partito di un’architettura monumentale dello... Read More
All’origine delle mie pitture c’è una ricerca proprio pitturale di ricoprimenti colorati, che suggerisce il partito di un’architettura monumentale dello spazio, spesso con spiagge orizontali. A volte tocca introdurre un referimento culturale, ma di solo rilievo sono la coerenza e l’equilibrio dell’imagine in uno spazio il più ampio possibile. Qui, in un ambiente che si fa paesaggio, il carro di Darius III attraversa il deserto a piena velocità, come nella mosaica pompeiana della battaglia di Alessandro contro Dario. Una contemporanea riflezione, ommagio e rimbalzo insieme, per riappropriarsi in una fiesta di colori la nostra eredità visuale ed i temi attivi dell’antiquità, cioè uno dei motori della nostra longa memoria.
My picture begins with a strictly pictural search by colorate coverings, which finally suggest the plan of a monumental spatial structure, usually/often with horizontal areas. Sometimes to introduce a cultural reference appears necessary, but coherence and balancing of the picture in the largest space remain essential. Here, in an universe becoming a landscape, Darius III’s chariot runs at top speed through the desert, as in the pompeian mosaic of the battle of Alexander against Darius. It’s a contemporanean reflexion, both an homage and a bounce, to appropriate the efficient themes of antiquity, which are amongst the motors of our long memory.
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