Frammenti di terra e cielo Modularità e interattività sono le parole chiave del più recente discorso artistico di Vincenza Benedetto. In... Read More
Frammenti di terra e
Modularità e interattività sono le parole
chiave del più recente discorso artistico di Vincenza Benedetto. In questa fase
s’inserisce, arricchendone la portata con nuove accezioni e interpretazioni, la
serie di dipinti Frammenti di terra e
cielo. Spesso si tratta di opere che si compongono di diversi pezzi che possono
vivere di vita propria, ma che assumono il loro senso più profondo, vero ed
efficace se accompagnati dagli altri “simili”, prodotti nelle stesse
circostanze per rivelare un medesimo sentimento o punto di vista (nel solco
della concezione espressionista a cui la pittrice aderisce), costruendo una
frase significativa che convince proprio in quanto articolata, sintesi unitaria
degli elementi che la configurano.
Ogni dipinto può essere letto e caricato di
significati differenti a seconda del modo con cui lo si organizza visivamente,
ad esempio per strati sovrapposti, in ragione dei colori presenti e pure della
corposità delle pennellate (dissolventi e ariose a salire), per non parlare del
tipo di materia adottata (in certi casi la sabbia è tale di nome e di fatto
anziché derivare da un “color sabbia”), oppure considerandolo nel suo insieme,
una sorta di caleidoscopica “finestra sul mondo”, un collage di panorami vissuti o fantasticati.
Il rimando incessante tra arte e realtà, tra
materia pittorica e materia tout court,
tra manufatto artistico e mondo oggettivo, che è una costante del presente
stadio evolutivo dell’artista – in questo momento interprete quindi di un espressionismo
che potremmo dire materico – è ben rappresentato, e risulta nel contempo
accentuato, dagli spigoli al vivo delle opere.
Modularity and interactivity are the key words of Vincenza Benedetto's most recent artistic speech. In this phase, the series of paintings Fragments of earth and sky enters, enriching its scope with new meanings and interpretations. Often these are works that are made up of different pieces that can have a life of their own, but which take on their deepest, true and most effective meaning when accompanied by other "similar" ones, produced in the same circumstances to reveal the same feeling or point of view (in the wake of the expressionist conception to which the painter adheres), constructing a meaningful sentence that convinces precisely because it is articulated, a unitary synthesis of the elements that make it up.Each painting can be read and loaded with different meanings depending on the way in which it is visually organized, for example by overlapping layers, due to the colors present and the body of the brushstrokes (dissolving and airy to rise), not to mention the type of material adopted (in some cases the sand is such in name and in fact rather than deriving from a "sand color"), or considering it as a whole, a sort of kaleidoscopic "window on the world", a collage of lived or fantasized panoramas .The incessant reference between art and reality, between pictorial matter and matter tout court, between artistic artefact and objective world, which is a constant of the present evolutionary stage of the artist - at this moment therefore interpreter of an expressionism that we could say material - is well represented, and at the same time accentuated, by the sharp edges of the works.
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