The image belongs to the cycle started in 2016.
It is a metaphor for the birth of consciousness and light.
The image gives everyone the opportunity to interpret it. In a sense, it arises again.
I chose traditional technique and medium. I have changed only in my own way and needs.
Technology is not a topic here.
The phenomenon of color and light perception, as well as the information they convey is important. Also those from the subconscious mind.
My Picture is a record.
Each time the image is created in a different context. It is a state record. A constantly changing, dynamic situation in which I try to find myself knowing that the status quo does not exist.
I am invariably interested in the fluctuation of matter, its non-obvious status
often being the result of relations with the surrounding context, which, however, is subject to the same laws.
The peculiar truth of the nature of light and color, indeterminacy, relativism and the mystery of our perception are just some of the concepts that constantly drive my activity and imagination to act. The last word will never fall. It's not the point. The creation process is important. This is a secret I need a metaphor for. And that's why I paint. Others write, compose [...] about love and constant delight in our fragile condition. Eros and Thanatos.
Let it happen.
My image here and now is a continuation of the "story" of many years, which I initiated with the diploma cycle entitled "I'm leaving Black as from Egypt "(1994).
Next were the cycles INSKRYPCJE- (Inscriptions) - (1995-2015),
REGISTRATION (Signes) - (2003-2006);
VIEW ON GARDENS (Views on Gardens) - (2005-2009);
FOSFOROS (2016); RESONATOR I-III (2016-
2017) LANDSCAPES EXTRACTED (2017).
