Field residues (The Stubble II)

In my latest cycle, all the motifs are taken from nature, and I also question the idea of natural beauty as a specific way or manifestation that we perceive in things created independently of human influence. It is as if arbitrary gazes at heaps of decomposing branches represent formations of nature that make us think of this real nature - a nature untouched by man, even though we live in the Anthropocene, an epoch marked precisely by man's indelible imprint on the geology and ecosystem of the earth.

 Smaller motifs, which we usually overlook on a walk through the forest or field, are like random views of a landscape that has nothing human about it. Nevertheless, they are well thought-out compositions, sometimes dramatically dynamic and leading the eye of the beholder clearly, sometimes scattered, without a single focus or superimposed...