Cybernetic codes, mute witnesses of symbolic depths float in a rarefied light becoming irrevocable sensors of Federica Scoppa's works. Circular... Read More
Cybernetic codes, mute witnesses of symbolic depths float in a rarefied light becoming irrevocable sensors of Federica Scoppa's works. Circular shapes, restless structures of an idyllic dimension sail as an essential spatiality in the ephemeral and hidden fragmentation of imperceptibility. These forms of rare beauty take on a continuous metamorphosis generating sinuous spirals, synthetic fluid threads of colour, parallel overtures, of a dreamy organic flow. Whispered immateriality transmigrates on the substrate spreading between unknown dizziness and sidereal space-time impulses. Diaphanous vaporous reverbs sublimate towards interstellar depths at the distant borders of memory. Cosmic swirls of an unexplored abyss and dark vortexes of perceptual emptiness, transfiguring the unconscious beyond the harmonious balance of figuration in the indefinite and vibrating tonal sequences of the compositions.
Federica Scoppa's works live in an arcane and mysterious dimension, conversing in the underlying silence of figuration through an alchemical synthesis of shades. Silent lifeblood floats in the dark atmosphere like an irrevocable dance shaping the space beyond the transfigured boundaries of being. Light pervades the abstract and the unrepeatable atmosphere, rarefied and mysterious in the pure iridescence of brightness. Glassy transparencies, with simultaneous reflections, evoke new and delicate transmutations of matter, now fragile and in the process of evaporation, overwhelming and impetuous. ... Text by G. Guarneri
... Like the blood running through our veins, like the sap of the trees, like the water of the oceans, her glasses set perceptions in a liquid state to underline the impossibility of humans to grasp and tell, even if only in a fragment, a whole experience in an absolute way. Memory lives and moves within the mind, like a constant flow of colours and flashes. And it is precisely this sensation of fluidity that leads the observer to perceive themselves to be a navigator, discovering the multiple interpretative possibilities that this technique offers. ... Text by C. Corbò
... A dialogue that Scoppa transposes into the proposed series where, in the perfection of the coloured circle and the thin square sheet of glass, coloured backgrounds are a result of the sensations that reproduce memories and emotions that have marked the artist's path of life. The colours on the glass give shape to the works as if they were the mirror of her soul. Scoppa is the Vitruvian Man of her works on glass, perfectly coming into contact with the universe of her artistic world that lives through her hands. Everything is life in the work of the artist. A reference to the Divine that is not only manifested in the reference to the symbolism of the Gothic windows, but also through the immutability of the centric form that encloses the explosion of chromatism within the soul of the artist and induces the viewer to try to look beyond, looking out to the spiritual dimension that is essential for human life. Text by E. La Rosa
... An inexhaustible change, induced by the artist through the continuation of the line: it isn’t only the circle that gives shape to her art, but also the serpentine, the dynamic and sinuous, waves, spirals and half moons. Through creative use of these elements, she manages to embody the motifs that flow through and shape its life within the roundness, capturing its essence and becoming its own creator of life, through the artistic medium. The substance of life, which is in its constant reproduction, expands into a cosmic dimension, that in which everything that is living finds its place. ... Text by L: Panetti