It was meant to be a geometric painting that could create feelings and emotions through shape and colour. The blue combined with the geometry seemed to me optimal to create a rigid, trapped, anxious feeling. This rigidity is interrupted, or rather, freed by an explosion of contrasting colours, warmer tones, signs that are completely opposed to geometry, more unconscious and free, which blend with the geometric ones.
It is the representation of irrationality overcoming rationality.
