Opera su tela. Esempio delle trasposizioni rilasciate dalle “matrici” su carta. Essendo la tela più resistente, le opere subiscono dei processi... Read More
Opera su tela. Esempio delle trasposizioni rilasciate dalle “matrici” su carta.
Essendo la tela più resistente, le opere subiscono dei processi di “stampo” ancora più forti.
Al termine della loro evoluzione pittorica, accatasto i lavori e li abbandono all'aperto come un mucchio di macerie. Umido, pioggia, calore e combustioni: penetrano attraverso, bagnano la tela, sfaldano la superficie e modificando le diverse sovrapposizioni di materia da una tela con l'altra, assieme alle carte usate come matrici per calcare i segni.
Ciò che viene catturato nel dipinto è il residuo che rimane impresso da questo procedimento “alchemico”.
Più che dipingere nel vero senso del termine, la mia azione pittorica consiste nel plasmare la materia.
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