Surfaceless
Painting hung on strecher bars from the Alienation Series.
Realizing that
painting surpasses the need for a canvas or any surface, I delved into the
liberating concept of painting directly onto paint itself. Freed from spatial
constraints, I discovered the boundless potential of this approach, utilizing
the raw physicality of the paint material. No longer confined to predetermined
areas, I allowed the paint to dictate its own form, creating dynamic interplays
between foreground, background, and negative space.
As my
exploration deepened, I expanded beyond merely hanging dried paint, pushing the
boundaries of this unconventional medium. Embracing the history of painting through the symbol of the stretcher bars I let the paint matterial hang hang freely, defying gravity
and convention.
It seems
that the more I push my art differently the more alien my art becomes. Such is
the price for doing things in other ways, and therefore being out of system.
It is a parallel
of my own identity in today’s world order.
Dried acrylic paint material hanging by itself on stretcher
bars