Obiettivo principale era esprimere la tensione delle figure, con lâ€™aiuto del disegno e del colore. Non câ€™Ã¨ contesto nella scena, non... Read More
Obiettivo principale era esprimere la tensione delle figure, con lâ€™aiuto del disegno e del colore.
Non câ€™Ã¨ contesto nella scena, non Ã¨ chiaro se queste persone siano prese in ostaggio o siano arrestate; questo importava meno allâ€™autore. Rilevante era analizzare le emozioni che sorgono in una persona, che si trova di fronte ad una scena come questa. Non importa se queste emozioni siano positive o negative, importa solo quanto siano forti. L'opera ha un tono sufficientemente neutro per essere il piÃ¹ vicino possibile allo stato di illuminazione piacevole, che aggrava ulteriormente la dualitÃ della scena. Nell'armonia del colore e della luce, c'Ã¨ una dissonanza con il pericolo, il rifiuto e l'ostruzione. Vorrei dedicare questo lavoro, cosÃ¬ come il primo lavoro del ciclo Antrax alla Russia, ai suoi giovani, molti dei quali in questo momento si trovano di fronte a ciÃ² che vediamo in questa immagine. Senza contesto.
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