CATEGORY
YEAR
2021
PRICE
Not for sale
ABOUT THE WORK
Material: Slate stone
On the occasion of the remodelling of the public space on the hill d'en Corts (Barcelona), the technicians of the... Read More
On the occasion of the remodelling of the public space on the hill d'en Corts (Barcelona), the technicians of the Parc de la Serra de Collserola requested an artistic proposal to place a dry stone land art installation on an esplanade dedicated to rest and observation.
1. Context
Until the first half of the 20th century, the Collserola mountain range maintained the agricultural and pre-industrial activities that had characterised it for centuries. Today, the existence of walls, vineyard huts, wells, dry stone corrals, cattle tracks, farmhouses, lime kilns and tile kilns... all over the mountain range are proof of the secular human occupation. The traditional dry stone construction technique has shaped many and varied infrastructures that can be defined according to their functionality and use: delimitation, stockpiling, delimitation, habitation, circulation, handicraft industry? In this sense, RA implicitly carries the cultural tradition that uses stone to build the infrastructures necessary for subsistence, living and spirituality.
2. Justification
The maximum height of the Collserola mountain range does not exceed the 516 m of Tibidabo, only seven of the 39 hills that make up this mountain range exceed 400 m in altitude. In general, hills have been used by mankind to protect life against floods or as a defence against possible attacks by animals or people. For some cultures, hills also had a symbolic, religious or funerary connotation. Thus, hills have historically been symbolic, strategic and protective places. Today they retain their attractiveness and the interest to visit them. Reaching a hill becomes a landmark, a moment of meditation and a window to observe the landscape and the cosmos. In this sense, the height and the location of the hill d'en Corts in front of the plain of Barcelona, allows us to identify places related to historical events, natural elements and geographical features. It also helps us to be aware of the earth and the cosmos as a landscape. Since the first Neolithic populations, mankind has venerated the sun and the moon, turning them into symbols of life and thought. American, African, Egyptian, Mesopotamian, Greco-Latin, Hindu, Celtic, Baltic, Japanese mythologies have turned them into deities and represent them in different forms, some in the shape of a disc, such as the Egyptian Ra gods, Inti, Inca, Assur, Assyrian, the circular temple of Stonehegen...
3. Concept
Ra is conceptualised in accordance with the location and morphology of the esplanade of the d'en Corts hill and in keeping with the geography, geology and landscape that make up this part of the Collserola mountain range. The oval shape suggests the solar and lunar discs and invites us to think about time and life. The d'en Corts hill is part of the installation in that it is the scene of the sun's journey from sunrise to sunset, and is also an ideal place to contemplate the movement of the moon. Both stars show time as the unattainable fact that human wisdom, through mythology, has assumed and represented for millennia. They show the immensity of nature and the smallness of human beings in the face of the cosmos. Ra aims to surprise with a geometric form used for millennia to represent the sun and the moon as that which is intangible, unknown and inaccessible. On the other hand, the slates that make up Ra represent the main geology of the sierra. The morphology of the slate provides a smooth surface that adds mystery, brightness and colour to the installation. The location of Ra in a meeting place, next to two wooden benches, aims to create a place of rest and contemplation for people who visit the hill d'en Corts to see the mountain, the sea and the city of Barcelona.
4. Technical specifications
Title: Ra. Myth, space-time
Author: Víctor Mata i Ventura
Material: 14 m³ of slate stone
Technique: dry stone
Motif: conditioning and development of the d'en Corts hill. The stones are laid by weight, leaving the upper part smooth and homogeneous. The first row of stones begins in a small trench that determines the shape of the structure.
Arrangement: It is adapted to the useful surface area on the east side of the square, three or four metres from the benches. See image 3.
Size: diameter 7 m x maximum height 0.70 m.
Location: Turó d'en Corts (Natural Park of the Sierra de Collserola-Barcelona).
Chronology: spring 2021.
CONTACT THE ARTIST
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