This artwork is inspired by the theatrical works of Aeschylus, the father of Greek tragedy. He believed that fate governs not only humans but also the gods, yet individuals still possess the freedom to choose their actions and must bear moral responsibility for them. The conflict between fate and personal choice is the root of human suffering and vendettas. Aeschylus' works are often presented in the form of trilogies, which inspired me to adopt a triptych format for my creation.
This piece stands out probably due to its cathedral-like arches, grand continuous composition, and the enigmatic aura that evokes a sense of magical mystery, filled with the struggle against fate. What satisfies me the most is the tragic tone and hallucinatory effect of the painting, as well as the artistic treatment of the volcanic ash rising from the scene. I put a lot of effort and research into achieving the transformative and recompositional effects of the rising ash.
