Trained as an architect, I approach painting as a spatial and existential investigation. My practice moves within abstract language, where structure and intuition coexist, and where materials and techniques become both medium and message.Influenced by abstract expressionism as well as...
Read MoreTrained as an architect, I approach painting as a spatial and existential investigation. My practice moves within abstract language, where structure and intuition coexist, and where materials and techniques become both medium and message.
Influenced by abstract expressionism as well as existencialism currents, I experiment with diverse techniques, allowing textures, pigments, and surfaces to assert their own Self. For me, the material is not subordinate to the artist’s will; it is an active presence — an extension of my inner landscape. Each work emerges through a dialogue between control and surrender, construction and dissolution.
My visual practice is deeply intertwined with my literary creations, often rooted in oniric and ontological explorations. I am particularly drawn to the idea that multiple selves inhabit each individual, latent and undefined until brought into visibility. In my work, these selves materialize only when expressed — much like a quantum particle that exists fully only when observed.
Through abstraction, I create spaces where the invisible becomes perceptible, inviting the viewer to participate in the act of revelation. My paintings are not representations, but presences — moments where matter, thought, and perception converge.
