Yaroslava Liseeva lives and works in Moscow, Russia. Her way to the art was long and curvy. Started drawing and painting in childhood but become a geographer graduating from Moscow University. For many years she attended professional artist’s studio, where she...
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Yaroslava Liseeva lives and works in Moscow, Russia. Her way to the art was long and curvy. Started drawing and painting in childhood but become a geographer graduating from Moscow University. For many years she attended professional artist’s studio, where she practiced and learned the theoretical basics of painting and participated in group exhibition with her teacher. But then she turned to working with hot glass, studied lampwork in Murano and for a long period worked as a lampworker and designer of glass jewelry. Later she learned psychology and coaching and tried herself in this field. But painting has always been the main passion, and after many years of gaining experience in different professions, Yaroslava Liseeva finally started her full-time artistic career.
The main subject of Yaroslava’s art is the Nature with its forces and the Flow of its energy.
Yaroslava Liseeva: “We live in the world where everything is inconstant and changing, moving and interconnecting. The life is very complicated and simple at the same time. There is always chaos and order.
Today our minds are overloaded with tons of information, social networks, news. But we still have feelings, emotions, soul, which long for contemplation and nourishing by nature with its strength and beauty. It is very important just to make a stop and to open our eyes and see the world around, listen to it, feel it. We can see and feel so many things when we tune ourselves for that.
The trees, the ocean, the lake, rain, wind and sun… The real things. And we can find lots of answers and the true meanings just when we observe with all our senses.
When we connect with the world with our souls, and our feelings and emotions, we start moving in the Flow together with everything around. In my works I try to capture this movement of the Flow with the direction of the strokes and the lines, which I call the “isolines of my soul”.”