ANSTASIA
GEORGIEVSKAYA
As
an artist, she is following the trajectory of interdisciplinary art.
The interdisciplinary approach in her artistic practice has drawn on
her experience as a psychologist and artist. Personal events in her
life were the initial point of reference for her visual research. She
is currently focusing on total installations which include art
objects, paintings, graphics and video art.
Georgievskaya
was born in Perm, Russia, in 1982. She graduated from an art college
in 1999. In 2004, she received a bachelor's degree in pedagogy and
psychology at Perm State Pedagogical University. This fact became the
basis for her interdisciplinary art.
After
her graduation, Georgievskaya got into artistic circles, and for the
next several years she learned from artists working in the studios at
17 Kislovodskaya Str., Perm, Russia. As a result, she got practical
experience in various styles and directions in art, as well as honed
her style.
In
2009, Georgievskaya completed her studies at the International Design
School in St. Petersburg, Russia. The experience of working with
space helped her come up with the idea of total installations. In
2009, she moved to Moscow. Graduating from the MMOMA School of
Contemporary Art “Free Workshops”, she expanded her previous
experience. After completing an art course in 2010, she began working
in the field of interdisciplinary art.
Another
important biographical fact that strongly influenced Georgievskaya's
professional career is her experiences in Sri Lanka, and the birth of
her son there in 2014. Her life at the equator, and becoming a
mother, culminated in a series of abstract, colorful works.
But
most importantly, the birth of her son was a starting point for the
Second Childhood Project. It started as a personal story, a
self-analysis of memory. Now, it is an international
interdisciplinary art project.
Georgievskaya
draws inspiration from total installations by Ilya Kabakov and Emilia
Kabakova, especially the one called “Not everyone will be taken
into the future”, as well as projects by Lee Bul, and Yayoi Kusama.
In
the 15 years of her active exhibition career, Georgievskaya took part
in more than 50 art shows globally. They were mostly solo
exhibitions. She participated in the International Biennale of
Contemporary Art, worked in various international art residencies.
Her paintings can be found in art catalogues and private collections.
Anastasia Georgievskaya works with art curators both on her solo
projects, and on collaboration with artists from all over the world.
SOLO
EXHIBITIONS
2020
“Inside”.
Performance, Sri Lanka
2019
“Green”.
Fort Printers. Fort Galle, Sri Lanka
2018
- “Second
Childhood”. Perm, Russia
- “Support?”.
ART Residence Kurulu, Sri Lanka
2016
- “Inside-Outside”.
Оpen Air Art Gallery. Budva, Montenegro
2012
- “Portrait
of a Wardrobe”. Moscow Museum of Modern Art (MMOMA). Moscow, Russia
- “Lost
Faces”. Bulgakov house. Moscow, Russia
- “Portrait
of a Wardrobe”. Gallery Green Art. Perm, Russia
2011
- “Undiscovered”.
Gallery “Alcorriente ARTE”. Bogota, Columbia
SELECTED
GROUP EXHIBITIONS
2020
- "Submarines". Project "Second Childhood". Gallery "Park". Moscow, Russia
2019
-“Picturesque
Russia” at “Vector of Abstract Forms” show curated by Vitaly
Patsyukov.
- Gallery
of Zurab Tsereteli. Moscow, Russia
2017
- Graduation
exhibition at Dukley Summer School. Kotor, Montenegro
2016
- Graduation
exhibition at Dukley Summer School. Kotor, Montenegro
2013
- International
art project. “EUROSHOP Team”. Dusseldorf, Germany
- Design
Center ARTPLAY. “STUDENT Art Prom”. Moscow, Russia
-“Eternal
Eve”. London, Great Britain
2012
- International
Biennale of Contemporary Art “Stop! Who is going?”.
-“Rejected
Reality” special project curated by Daria Kamyshnikova. Moscow,
Russia
- Festival
“White Nights”. Perm, Russia. Curator—Marat Gelman.
- Exhibition
at the auction
house
Dominique Stal Expert. Included in the catalog. Paris, France
2010
- MMOMA.
International Biennale of Contemporary Art “Stop! Who is going?” Moscow,
Russia
2009
- Festival
“Living Perm”. Perm, Russia. Curator—Marat Gelman
