Nina
Dillenz

Nina Dillenz graduated with a Master’s degree in theatre, film and media studies before shifting her base from Vienna's independent scene to Beijing where she focuses on live visuals, backdrop design, performance- and crossover art. Her style is characterized by multi-layered, psychedelic features and elements from nature. Recent projects and recurring collaborations include music videos and visuals for the Spittoon collective, Anthony Tao & Liane Halton's poetry x music project, and techno club Lantern's bimonthly event Blackout. Her writing has been featured by Spittoon, Shaving in the Dark and Austria’s Diagonale Film Festival. Her photography has appeared on supchina and her series “Animated Analogues” was displayed at the international artists’ show at the Gobi Heaven Festival 2019, where she also made two videos for German artist Crow that have been exhibited in galleries and embassies in China and Europe. In 2018 she directed the multimedia performance Empty Spaces – Bachmann x Kane as part of the Mortgaged Time exhibition at Red Gate Gallery and was the dramaturg for the scenic reading Water and Fire at Penghao Theatre.

Currently Nina Dillenz is working on a music video for French musician Djang San and a few short film projects.

龚琳娜拥有戏剧、电影和媒体研究的硕士学位，之后她从维也纳的独立场景搬到了北京，专注于现场视觉、背景设计、表演和跨界艺术。她的风格特点是多层次的，迷幻的特点和来自自然的元素。近期的合作项目和经常性合作包括Spittoon collective的音乐视频和视觉作品，Anthony Tao和Liane Halton的诗x音乐项目，以及Lantern的双月活动Blackout。她的作品曾在《痰盂》、《在黑暗中剃须》和奥地利帝亚涅尔电影节上亮相。她的摄影作品出现在supchina上，她的反乌托邦系列“动画模拟”在2019年戈壁天堂节的国际艺术家展上展出，她还为德国艺术家克劳制作了几段视频，这些视频已经在中国和欧洲的画廊和大使馆展出。2018年，她导演了多媒体表演《空的空间——巴克曼x凯恩》(Empty Spaces - Bachmann x Kane)，这是红门画廊(Red Gate Gallery)“抵押时间”(Mortgaged Time)展览的一部分，也是彭浩剧院(Penghao Theatre)“水与火”(Water and Fire)观景台的剧本。